May 2009

  • Kim Fowley Stuck in Cali' Psych Dungeon

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    Trapped in the DungeonTrapped in the DungeonLos Angeles at any time has more weirdoes than any city should actually be able to accommodate. And regardless of how one views the current state of that town today, it's pretty safe to assume that during the early portion of the '60s - as the freeqs began rolling in - the town went through a bizarre transition. Read more

  • Harmonia: Live '74

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    Live in a DiveLive in a DiveThe incestual issues that obscure any sort of proper kraut rock discography are explicated through the life of a super group dubbed Harmonia. Made up of different combinations of musicians from Neu! as well as Cluster and ever Brian Eno for a brief time, the group, over it's three proper studio discs, set out a blue print as specific as any other ensemble from the period. Read more

  • Iggy Pop Gets Literary

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    Punks in FrenchPunks in FrenchThe legacy that Iggy Pop created in just under a decade with the Stooges isn't going to be affected by anything that he does now. There can't be any underestimation as to what those albums - and the messed up performances - meant to people and current music travelers. Read more

  • Begining as Ambrose Slade...

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    ArtificeArtificeThe British music scene of the '60s had as many stars as over here in the States. Each group had some unique flavor while still borrowing liberally from American blooze and RnB. No matter, the music worked. And even if the early '60s only yielded some sugary love songs, the latter portion of the decade was rife with hits. Unfortunately, some of these chart toppers are all but forgotten today. Regardless of their current standing in the history of pop music here or in the UK, Slade - or on their first album Ambrose Slade - was able to rave up simple blues, get into spacey Pink Floyd territory and even cover a song by Zappa. Read more

  • Suburban Ethiopiques: Ducktails

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    TropicalipsychTropicalipsychWith the advent of file sharing, everyone from Metallica to Skerik has decried it a crime against art. Although, Metallica probably doesn't count as art at this point, it's an understandable stance to take. It is theft. That's not really debatable. Taking what someone has created - partially in order to feed and clothe themselves and their families - isn't right. But along with the plethora of non sanctioned downloads going around, there's a fair share of straight up give aways. At times, though, it's difficult to figure what's what. Read more

  • The Skull Defekts: Urban Ritual

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    DefektiveDefektiveFirst off, ever since interviewing the (International) Noise Conspiracy earlier this year, I've become pretty wary of Swedes - or anyone from a country whose population overwhelming has blond hair and in Detroit could pass for a gaggle of models. Apart from that, pseudo revolutionary commie speak seems pretty pervasive over there. And in an atmosphere of nonsensical, ill conceived governmental works the mush that passes for brains - in t(i)NC at least - seems be result in grand notions of musical purpose. And unfortunately, not just played out garage rock is affected by this - it's droney pretndo experimental rock as well.

    The American based Important Records traffics in the general territory of purposefully obtuse rock musics. And to include the Skull Defekts isn't all too shocking. It makes sense actually. Unfortunately, apart from the Vanishing Voice disc from a few years back, I can't say that I've enjoyed any of the label's releases all too much. Read more

  • Ben Reynolds x Tompkins Square

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    Hard to EarntHard to EarntBeing a part of some enormous underground, psych and drone ensemble and cohort hasn't exactly made the name Ben Reynolds a common name here in the states. But in his native England, while still not a chart topper, Reynolds has recorded with these groups attracting the attention of everyone from Will Oldham to the Incredible String Band. Most of these endeavors, though, have been full band settings with the guitarist getting only so much room to ply his craft.

    The lack of acoustic recordings from this gentleman was remedied on the third volume of Imaginational Anthem series from Tompkins Square Records. While the disc wasn't a showcase for Reynolds, it sat his work next to a variety of folks playing in the same genre - Steffen Basho-Junghans for one. Again, that disc, while critically well received, found none its participants going on to make a million bucks. Read more

  • Dave Edmunds: Living in a Dream

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    Not StiffNot StiffThere's more than one confusing aspect to Repeat When Necessary - the 1979 album from Welsh singer and guitarist Dave Edmunds. First, the fact that this disc is from one of the Love Sculpture dudes, who were responsible for some bluesy, pysch touched moments, but has nothing to do with that music seems weird. Secondly, the album is on Led Zepplin's Swan Song imprint while the music doesn't seem even tangentially related to the soopa group's muzak. Next, is the fact that not only does the album look like a power pop disc, it features Nick Lowe on bass and begins with an Elvis Costello song seems to refute the fact that there isn't all to big a correlation between this disc and that movement.

    Apart from all of those things, it's still a pretty good listen. Read more

  • Ray Charles: Though My Heart Aches

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    C and WC and WDuring the late '40s and early '50s a single man can be held accountable for the success at Atlantic Records. Ahmet Ertegün sought to record a huge amount of jazz, blues, soul and RnB that up until that point had really been a cottage industry pointed at a very slim portion of the American populace

    Being born to a Turkish diplomat brought Ertegün to this country. And as he grew up, he found the music of Professor Longhair, amongst others, to be sorta irresistible. To that end, he figured recording and distributing it would be not only a money maker, but a satisfying, life long, endeavor. Read more

  • Detroit's Garage: Nicodemus

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    Better Art MusicBetter Art MusicOutlaw, outsider, downer sludgy schlock has a very specific collector base. And it's for that reason that new discs from the recorded past of America keep popping up. Much in the same way folks travel around collecting historic artifacts for pleasure, or their own vaults, some one kindly preserved enough material from a gentleman named Nicodemus that we, today, still have some tunes to listen to - thankfully.

    Detroit has graced gleeful geeks with showers of music from soul to funk to garage and punk. And somewhere in the middle is Nicodemus. A raunchy, face tattoo sporting, gnarly, long haired biker outlaw who has recorded under his name for roughly forty years - and is somehow still going - has as interesting a past as anyone else. Read more